3/30/2024 0 Comments Keyscape with omnisphere 1![]() Keyscape is formatted exclusively for Spectrasonics’ STEAM sound engine, which runs as a plug-in on Mac and Windows systems in all the major DAWs and 64-bit plug-in hosts that support VST/AU/AAX platforms. The Lite version is not sold separately, and since many patches reference multiple parts of the library, you can’t install your own personal selection of instruments. If you wish, you can run the full version in your studio DAW and use the Lite install on a laptop at gigs. You can install either the full 77GB collection or an optional 30GB ‘Lite’ menu of essential instruments designed for live performance. Lossless audio compression reduces the large sample database (over 200GB in size) to a more manageable 77GB on your hard drive. There are no organs or analogue synths in this collection, nor are there any licks or phrases: the focus is squarely on multisampled electro-mechanical and acoustic instruments, augmented by a handful of digital ’80s classics such as the ubiquitous and unashamedly synthetic ‘FM Rhodes’ sound. An intriguing selection of hitherto-unsampled historical rarities is also included, along with a leading make of 20th-century concert grand piano. Spectrasonics’ Keyscape comprises no fewer than 36 keyboard models, ranging from iconic, sought-after ’70s instruments to contemporary retro-styled keyboards. It also explains the motivation behind the company’s latest offering, which looks set to create a new standard for vintage keyboard collections. ![]() This hands-on studio experience, coupled with a lifelong love affair with keyboards, helps account for Spectrasonics’ instruments being so playable and practical. While technical innovation and sonic exploration have been a company hallmark from the start, Persing’s background as a session player and producer adds an important dimension to the story. Having successfully navigated the format upheavals of the hardware sampler era, Spectrasonics scored with their acclaimed Stylus, Trilogy and Atmosphere virtual instruments before hitting the jackpot with Trilian and the multi-award-winning Omnisphere synth, voted SOS readers’ Best Software Instrument in 2014, 20. Based in Burbank, California, the company has been outputting state-of-the-art products since 1994, when co-founder Eric Persing released the ground-breaking Bass Legends library (chunks of which live on under the hood of certain keyboard workstations). There’s something reassuringly solid about Spectrasonics. I love using Omnisphere and Keyscape in the studio but am wondering what opportunities exist for the live rig.Spectrasonics’ major keyboard collection combines classic vintage instruments with a gallery of unique rarities. Admittedly, I did not experiment with velocity mapping in Keyscape plus I'm pretty lazy so the urge of setting up a single keyboard when playing live is overwhelming. What sounds do you find yourself using from Keyscape instead of the Nord NS3 internal sounds? I made some comparisons and decided that some of the tweaked samples like the White Grand and some B3 settings from this forum made the Nord sound superior to Keyscape. But, once you get it dialed in, it sounds very good. I had to spend a lot of time tweaking the vel mapping for the KeyScape pianos and the mapping doesn't translate well across the acoustic, elec piano or clav sounds. I have an NS3 Compact and NS3 HA88 and I can tell you the default velocity mapping sucks major balls. I use it mostly to control synth type sounds. If you're building patches in OmniSphere, you will want to use the GUI. The button / knob mapping is good enough for live performance. ![]() Bartley99 wrote:I use ns3 and omnisphere+keyscpae.
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